I am a novelist, cultural critic and translator. Most recently, I was honored by a Fulbright-Nehru Award (2017-2018); and was appointed the 2016 Scholar-in-Residence at the Center for Critical Race Studies at the University of Houston-Downtown and as Guest Scholar in 2017 at SOAS University (London, UK). Among other honors, I am the recipient of both the Excellence in Research Award and the Excellence in Teaching Award from the College of Languages, Literatures and Linguistics at the University of Hawai‘i, where I am Professor of English.
I am the author of three novels, two volumes of criticism, and a collection of poems. GHOST IN THE TAMARIND has just been published by University of Hawai’i Press. It is an inter-caste love story set against the background of anti-caste movements in India. A previous novel, No End to the Journey, was published by Steerforth Press in 2005. Set in a village in South India and drawing on the ancient East Indian epic the Ramayana, it tells the story of Gopalakrishnan and his difficult relationship to his son. The Indian Express noted that “it packs a punch.” A Spanish translation appeared from Belacqua (Barcelona) in 2009. A Map of Where I Live (1997), my first novel, intertwines a story of love and political intrigue set in Madras with the memoir of an Indian historian who discovers that Lilliput (as in Jonathan Swift’s Gulliver’s Travels) really exists. Shashi Tharoor called the novel “highly original, compelling, and vivid,” and World Literature Today described it as “a minor masterpiece.”
The latest of my volumes of criticism is the award-winning Flesh and Fish Blood: Postcolonialism, Translation, and the Vernacular (University of California Press; Orient BlackSwan India; both 2012), a scholarly study of translation and issues of caste in contemporary literature and film from India that was recognized by the American Comparative Literature Association with an Honorable Mention in 2013. A previous volume of criticism, entitled Textual Traffic: Colonialism, Modernity, and the Economy of the Text (SUNY Press, 2001), has been positively reviewed for its explication of the relationship between colonialism and modernity and its innovations of critical methodology.
I am co-editor with Louis Mendoza of the University of Arizona of the anthology Crossing into America: The New Literature of Immigration (New Press, 2003), which brings together poems, excerpts from novels and memoirs, short stories, letters, and essays to present immigrant literature since 1965. This book, San Antonio Express News notes, is “likely the most original and best introduction to the new immigration available today.” The paperback edition of the anthology was published in 2005.
I have published shorter pieces in a wide variety of scholarly and general interest periodicals in India and the US. My scholarly articles, poems, reviews, and literary essays have appeared in such journals as Comparative Literature, Cultural Critique, Tin House, Massachusetts Review, Outlook, The Hindu, Pioneer, Village Voice, The Nation, and PMLA. I am also the translator of the full-length Tamil play Water!, published in 2001 in India by Seagull Press and in the US by Asian Theatre Journal. This translation was performed in India in 2012 and again 2015 by the Madras Players–look under Reviews and Media Notices for relevant links.
What else might I say here about myself? I was born in India and came to the US in 1987, earning a Ph.D. in English from the University of Texas at Austin in 1993. At the University of Hawai’i at Manoa I teach contemporary literatures of the world (a term I much prefer to World Literature), translation and creative writing. I have read my fiction and lectured on literary topics widely in the US, Europe, Africa and India, including on radio. Contemporary Authors and a sourcebook entitled Asian-American Novelists have bio-critical essays on me. I was Convener of the XVI Annual Conference of the Forum on Contemporary Theory in 2013. I co-founded SAMAR (South Asian Magazine for Action and Reflection) in 1992 and was a member of its Editorial and Media Collectives for about ten years.